Brian Allan is a professional career artist with hundreds of  
paintings  in  private and corporate collections worldwide. 
Allan is a 4th generation native Californian who now 
resides in Laguna Beach California. A life long penchant 
for the production of new ideas would lead Allan to his life’s 
passion - Abstract Painting. A friend and mentor once told 
Allan that “ the best ideas have not been thought of yet” 
and Allan long ago inscribed those words on the tablet of 
his heart. “Creation is all and All is creation” would become 
his personal mantra and pattern for existence.
Allan was a gifted child  who struggled with the process of 
structured learning. His scattered talents  concerned his 
parents who introduced him to competitive tennis in 1966. 
An impressive junior tennis career would produce 
scholarship offers from across the country. Allan would 
elect not to attend college and his career as a
        
        Professional tennis player would be 
relatively short lived due to injuries. 
Allan would then pursue  an 
opportunity in the field of furniture 
making. The creative aspects of 
furniture design would temporarily 
satisfy his need to explore and 
create, but would ultimately fall 
short and give way to a desire to 
express himself from deeper within. 
A curiosity about religion and 
spirituality would lead him into a 
seven-year journey of social 
detachment and quest for personal 
and spiritual understanding. Living 
outdoors in Hawaii in tents and 
caves gave Allan the lifestyle that 
could sustain his insatiable need 
for introspection. It was during this  
        
        period that Allan would design and make his own unique clothing that was conducive during this 
episode of self-imposed isolation. This would later lead to a position as a bathing suit and 
bodywear designer. Meditation and Mandala Art would lead him into an obsession with geometric 
forms and renderings. “For many years I was so obsessed with producing and pondering geometric 
configurations that I could think of little else, except how they might relate to the foundation of 
creation and life as I perceived it. One night as I gazed into a star clustered sky - I suddenly 
realized that my pre-suppositions about the role of geometry were short sighted and had 
completely overlooked its inseparable counterpart.” This personal revelation would open the flood 
gates to an endless exploration into the genre of asymmetrical abstraction. A vision that embraces 
a belief in the symbiotic relationship between two inextricable opposites. The Order of Chaos would 
become Allan’s new mantra as he continues to attempt to meld these self perceived primordial 
components into a universal commentary. The black circle has become Allan’s unique signature 
which is symbolic of this endless cycle of order and disorder “ Pure non-objective abstraction 
resides in the realm of the infinite... It does not concern itself with the finite objects most familiar to 
the dominant left brain.”